Kolbrún Björt Sigfúsdóttir (aka Kol)
Artistic Director of Brite Theater
Director, Playwright, Dramaturg and Performer
Founding chair of Theatre Directors Scotland
Awards and Scholarships:
Edwin Rudd Scholarship 2013, awarded by University of Exeter for excellence during studies at the Staging Shakespeare course
Creative, Inspiration and Performance Award Winner Prague Fringe 2015 - Richard III (a one-woman show)
Bobby Award Winner Edinburgh Fringe 2015 – Richard III (a one-woman show)
Creative, Inspiration and Performance Award Nominee Prague Fringe 2018 – Hamlet (an experience)
Infallibles Award Nominee Edinburgh Fringe 2018 – Hamlet (an Experience)
New Territories Award Winner Prague Fringe 2018 – (Can This Be) Home
Fringe Encore Winner Soho Playhouse New York 2018 – Hamlet (an experience)
CATS Award for Best Director 2017 - A Number - Zinnie Harris - assistant director
CATS Award for Best New Play, Best Production and Best Female Performance (Lucianne McEvoy) - Ulster American - assistant director
Resident Director, Tron Theatre spring 2022
Stepping Stones Award, Scottish Arts Club 2021 - Post[traumatic] - writer
ART Award - Assembly Roxy 2022 - Sandcastles by Steve McMahon - director
Carol Tambor Incentive Award 2022 - Sandcastles by Steve McMahon - director
CATS Awards nomination for Best Director 2022 - Me and My Sister Tell Each Other Everything - director
Directing, full length productions, professional:
2023 The Beatles Were a Boyband by Rachel O'Regan, F-Bomb
2023 ChildMinder by Iain McClure, Michelle McKay, Traverse Theatre, Beacon Arts and Byre Theatre
2023 Variant by Peter Arnott, A Play, a Pie and a Pint, Oran Mor and Traverse Theatre
2022 Sandcastles by Steve McMahon, Assembly Festival
2022 Red Alert Cancer! by Allan Wilson, Zoo Venues
2022 hang by debbie tucker green, Tron Theatre
2022 Me and My Sister Tell Each Other Everything by Uther Dean, Tron Theatre
2018 Hamlet (an experience), adaptation of Shakespeare's play by Emily Carding and Kolbrún Björt Sigfúsdóttir, Brighton Fringe, Prague Fringe, Edinburgh Fringe, Rose Playhouse, SoHo Playhouse NY and touring.
2018 147Hz Can't Pass by Ink Asher Hemp, movement direction, Scottish Youth Theatre ahead of Fringe run, Formation Festival and Chrysalis Festival.
2016 Creepie Stool by Jen McGregor, Black Dingo Productions, Highland Tour
2015 Richard III (a one-person show), adaptation of Shakespeare's play by Kolbrún Björt Sigfúsdóttir and Emily Carding, Brite Theater, Tjarnarbíó, Prague Fringe, Bristol Shakespeare Festival, Somerset Festival, Plymouth Fringe, Edinburgh Fringe, Shakespeare Re-Loaded Festival Verona and Rome, Dukebox Sweet Venues Brighton, The Lion and Unicorn Theatre London, Draper Hall London, Act Alone and New York City Fringe and many more
2015 The Bruce in Ireland by Ben Blow, Black Dingo Productions, Assembly Roxy Edinburgh.
2015 Bitter Sweet by Kolbrún Björt Sigfúsdóttir, Brite Theater, Discover 21 Theatre Edinburgh
2014 The Lion, The Witch and The Wardrobe, Brite Theater in collaboration with Midsummer Madness, Thornlea Studios Exeter and North Hill Village Hall
2013 Shakespeare in Hell, a new play placing Shakespeare's villains in Dante's Inferno by Kolbrúnu Björt Sigfúsdóttur and Emily Carding, Brite Theater, Roborough Studios, Northcott Theatre, Exeter Pheonix, The Island Bristol and Etcetera Theatre Camden
2013 Notes on Some Persons, Starting to Crack by Gareth Morgan, 6016 Theatre, The Rusty Bike and Northcott Theatre
2013 An Exeter Love Story by Kolbrún Björt Sigfúsdóttir, EXEplorer, a treasure hunt in Exeter, art direction
2009 Lykillinn að jólunum by Snæbjörn Ragnarsson, Leikfélag Akureyrar, Rýmið
2009 Það dansar enginn við sjálfan sig by the ensemble, Brite Theater, Saltfélagið
2006 Kjöt by Kolbrún Björt Sigfúsdóttir, Brite Theater, O. Johnson og Kaaber
Original Plays and Adaptations:
2023 This Is a Gift, part of the Royal Shakespeare Company's new Folio, 37 Plays
2020 Deliverance, first performed in Edinburgh in participant's homes, produced by Vanishing Point
2019 Kit Kat, first read as part of the Breakfast Plays at the Traverse Theatre (staged reading)
2019 Strangers, first performed at Dundee Rep as part of Rep Stripped (extract), in development.
2018 (Can This Be) Home, first performed at Prague Fringe.
2018 Hamlet (an experience) with Emily Carding after Shakespeare, first performed at Brighton Fringe.
2018 Invisible Friend with Kemono Lebe, One Day to Play, National Theatre of Scotland (short)
2017 Snow ,first performed at Winter Words Festival, In Motion Theatre (short).
2017 Where Exactly, first performed at Tron 100 Festival, Tron Theatre (extract), in development, now called The Birds.
2017 Firesoul Wanted, first performed at DRAFT, In Motion Theatre (extract).
2016 Troubles of the Female Variety, first performed at the Traverse Theatre, Words Words Words (excerpt), part of Playwright's Studio Scotland Mentorship Programme. In development.
2015 Richard III (a one-person show) with Emily Carding after Shakespeare, Brite Theater, first at Prague Fringe.
2013 Chet Baker, Love, first performed at The Bike Shed Theatre, Exeter.
2013 Bitter Sweet, first performed at Rannoch, Exeter.
2013 Shakespeare in Hell, with Emily Carding, first performed at Roborough Studios, Exeter, after Shakespeare's canon and Dante's Inferno
2013 My Only Love Sprung from My Only Hate, first performed at The Rusty Bike, Exeter after Shakespeare's Romeo and Juliet and Hamlet
2010 Aladdin The Musical, performed at Norðurpólinn.
2008 The Seagull, performed at Kassinn, Þjóðleikhúsið.
2006 Kjöt, first performed at O. Johnsson og Kaaber.
Digital works:
2020 Happy Ark Day :) by Andy Edwards, Scenes for Survival, National Theatre of Scotland and BBC, director
2020 Two People, Alone, produced by Brite Theater, writer
Dramaturgy and script editing:
2023 The Hearth by Tom Oakes, Scottish Storytelling Centre.
2023 Between Here and There by Marion Geoffray, Open Space.
2023 Murmurs of Earth by Ella Hallgren, supported by EPAD.
2023 Charlene and the Machines by Sarah Rose Graber.
2022 Bubblebath is not a Rebellion by Ink Asher Hemp, We Are Still Here/We Are Always Here commission, Brite Theater.
2022 (Instructions for a) Ghost Disco by Stella Green, We Are Still Here/We Are Always Here commission, Brite Theater.
2022 Bella and Max by Lubna Kerr, Space at Summerhall.
2021 Tickbox by Lubna Kerr.
2017-2023 Traverse Young Writers.
2019 Perth Young Writers.
2018 ChildMinder and Tulla by Iain McClure, with performances at Manipulate Festival and Scottish Mental Health Arts Festival.
2018 Knots devised by Theatre Sans Accents from R.D. Laing's book, development for Summerhall Scratch, SMHAF Scratch.
2018 Everybody Keeps Broken Pens by Kate Mayne, Tron Outside Eyes.
2014 Frun från havet by Ibsen, assistant to adaptors Egill Palsson and Marc Matthiesen.
2013 Notes on Some Persons Starting to Crack by Gareth Morgan, first performed at The Rusty Bike.
Assistant directing:
2018 Ulster American by David Ireland, directed by Gareth Nichols at the Traverse Theatre, made possible by JMK assistant director award.
2017 A Number by Caryl Churchill, directed by Zinnie Harris at the Royal Lyceum Theatre, made possible by the FST assistant director bursary.
2016 Billy (The Days of Howling) by Fabien Cloutier, directed by Rosie Kellagher, A Play, A Pie and A Pint, Oran Mor og Traverse Theatre.
2014 Frun från havet (The Lady from the Sea) by Ibsen, directed by Egill Heiðar Anton Pálsson, Göteborgs Stadsteater (Gothenburg City Theatre).
2012 The Tragedy of Julius Caesar by Shakespeare, directed by Laura Baggs, Thornlea Studios.
2009 Rústað (Blasted) by Sarah Kane, directed by Kristín Eysteinsdóttir, Borgarleikhúsið (Reykjavík City Theatre).
Directing - development and readings:
2021 Maryland by Lucy Kirkwood, Traverse Theatre (staged reading)
2021 candy by Ryan Hay, Tron Theatre, Glasgow
2021 Schooled by Pauline Lochart, Traverse Theatre
2020 Knots by Theatre Sans Accents, due to tour Scotland but cancelled due to Covid and 2018 Hidden Door Festival (wip)
2016, 2018 and 2019 (Can This Be) Home by Kolbrun Bjort Sigfusdottir and Tom Oakes, Brite Theater, Hothouse at Traverse Theatre (work in progress), Theatre Royal Plymouth (wip), Tron 100 performances Tron Theatre Glasgow (excerpt) and Prague Fringe, Tron Theatre Glasgow and Traverse Theatre.
2020 Rough Mix, Magnetic North
2019 44 Sex Acts in One Week by David Finnigan, Traverse Theatre
2019 I'm Not Here by Rachael O'Connor, Traverse Theatre
2018 Class Act by various, Traverse Theatre
2018 Power Plays by various, Braw Fox stage Theatre Uncut at the Traverse Theatre
2018 Foxgloves by Jonathan Whiteside, Stage to Page February.
2017 and 2016 Tandem, Edinburgh - six short plays by Amy Hawes, Jennifer Adam and Mhairi Quinn (staged reading).
2016 and 2017 The House That Melts With the Rain by Jennifer Adam, Tron Theatre Glasgow (excerpt), Winter Words at the Wee Dram! and The Wee Theatre (staged readings)
2016 Pulse by Julie Tsang, Tron 100 Reading week, Tron Theatre and Winter Words at the Wee Dram! (staged readings) and development at Perth Theatre 2020.
2016 Headland by Michael O'Neill, Stage to Page, Traverse Theatre (excerpt).
2014 Arctic Oil by Clare Duffy, Director´s Cut, Traverse Theatre (excerpt).
2009 Þekking og stúlka (Knowledge and a Girl) by Howard Barker translated by Kolbrún Björt Sigfúsdóttir, 21 for 21 Festival, Listaháskóli Íslands (staged reading).
Directing, short plays, fully staged:
2017 Ours Is Better Than Yours by Mhairi Quinn, Winter Words Festival, In Motion Theatre (short play)
2017 Monday Night by Christopher Deans Tron 100 Festival, Tron Theatre Glasgow (extract)
2015 Chinese Whispers by Jennifer Adam, Collider, Discover 21 Theatre (short play)
2015 Wake Up by Neil Chu Hong, Collider, Discover 21 Theatre (short play)
Directing, community theatre or youth theatre, full length:
2019 Nothing But the Gallows by Ben Blow, Annexe Repertory Theatre, Formation Festival, Assembly Roxy
2018 The Maids by Jean Genet, Annexe Repertory Theatre, Formation Festival, Assembly Roxy
2018 We Got Now by Annexe Repertory Theatre, Formation Festival, Assembly Roxy
2011 Mamma Mia! leikfélag Menntaskólans í Kópavogi (unofficial Icelandic adaptation)
2010 Galdra-Loftur by Jóhann Sigurjónsson, Leikfélag Hveragerðis
2010 Aladdín The Musical adapted by Kolbrún Björt Sigfúsdóttir, Leikfélagið Thalía, Menntaskólinn við Sund in collaboration with Brite Theater, Norðurpóllinn
2008 Hair, the musical, by Rado, Ragni og Mcdermot, Leikfélag Borgarness
Directing, student theatre, full length:
2014 Titus Andronicus by Shakespeare, Brite Theater, Cellar Door Exeter
2013 Measure for Measure by Shakespeare, Shake-in-a-Day, Roborough Studios
2013 Bitter Sweet by Kolbrúnu Björt Sigfúsdóttur, Brite Theater, Rannoch Exeter
2013 Coriolanus, devised and verbatim piece based on Shakespeare's play by Kolbrún Björt Sigfúsdóttir and Gareth Morgan, Brite Theater, Thornlea
2013 My Only Love Sprung from My Only Hate, new piece using Shakespeare's Hamlet and Romeo and Juliet by Kolbrún Björt Sigfúsdóttir, Brite Theater, The Rusty Bike, Exeter
2013 King Lear, devised and deconstructed from Shakespeare´s play, Brite Theater, Exeter Phoenix
2013 The Winter´s Tale by Shakespeare, student production at Shakespeare´s Globe
2012 Marina, a physical theatre piece based on Shakespeare´s Pericles, Thornlea Studios Exeter
2012 Taming of the Shrew by Shakespeare, Shake-in-a-Day, Roborough Studios
2008 The Seagull by Chekov adapted and devised by Kolbrún Björt Sigfúsdóttir and the ensemble, Kassinn, Þjóðleikhúsið (Iceland´s National Theatre)
Script reading and translations:
2018-ongoing Open Submissions/Breakthrough Writers, Traverse Theatre
2021 New Nordics, Cut The Chord Theatre
2018 International Residency submissions, Royal Court Theatre
Artistic Director of Brite Theater
Director, Playwright, Dramaturg and Performer
Founding chair of Theatre Directors Scotland
Awards and Scholarships:
Edwin Rudd Scholarship 2013, awarded by University of Exeter for excellence during studies at the Staging Shakespeare course
Creative, Inspiration and Performance Award Winner Prague Fringe 2015 - Richard III (a one-woman show)
Bobby Award Winner Edinburgh Fringe 2015 – Richard III (a one-woman show)
Creative, Inspiration and Performance Award Nominee Prague Fringe 2018 – Hamlet (an experience)
Infallibles Award Nominee Edinburgh Fringe 2018 – Hamlet (an Experience)
New Territories Award Winner Prague Fringe 2018 – (Can This Be) Home
Fringe Encore Winner Soho Playhouse New York 2018 – Hamlet (an experience)
CATS Award for Best Director 2017 - A Number - Zinnie Harris - assistant director
CATS Award for Best New Play, Best Production and Best Female Performance (Lucianne McEvoy) - Ulster American - assistant director
Resident Director, Tron Theatre spring 2022
Stepping Stones Award, Scottish Arts Club 2021 - Post[traumatic] - writer
ART Award - Assembly Roxy 2022 - Sandcastles by Steve McMahon - director
Carol Tambor Incentive Award 2022 - Sandcastles by Steve McMahon - director
CATS Awards nomination for Best Director 2022 - Me and My Sister Tell Each Other Everything - director
Directing, full length productions, professional:
2023 The Beatles Were a Boyband by Rachel O'Regan, F-Bomb
2023 ChildMinder by Iain McClure, Michelle McKay, Traverse Theatre, Beacon Arts and Byre Theatre
2023 Variant by Peter Arnott, A Play, a Pie and a Pint, Oran Mor and Traverse Theatre
2022 Sandcastles by Steve McMahon, Assembly Festival
2022 Red Alert Cancer! by Allan Wilson, Zoo Venues
2022 hang by debbie tucker green, Tron Theatre
2022 Me and My Sister Tell Each Other Everything by Uther Dean, Tron Theatre
2018 Hamlet (an experience), adaptation of Shakespeare's play by Emily Carding and Kolbrún Björt Sigfúsdóttir, Brighton Fringe, Prague Fringe, Edinburgh Fringe, Rose Playhouse, SoHo Playhouse NY and touring.
2018 147Hz Can't Pass by Ink Asher Hemp, movement direction, Scottish Youth Theatre ahead of Fringe run, Formation Festival and Chrysalis Festival.
2016 Creepie Stool by Jen McGregor, Black Dingo Productions, Highland Tour
2015 Richard III (a one-person show), adaptation of Shakespeare's play by Kolbrún Björt Sigfúsdóttir and Emily Carding, Brite Theater, Tjarnarbíó, Prague Fringe, Bristol Shakespeare Festival, Somerset Festival, Plymouth Fringe, Edinburgh Fringe, Shakespeare Re-Loaded Festival Verona and Rome, Dukebox Sweet Venues Brighton, The Lion and Unicorn Theatre London, Draper Hall London, Act Alone and New York City Fringe and many more
2015 The Bruce in Ireland by Ben Blow, Black Dingo Productions, Assembly Roxy Edinburgh.
2015 Bitter Sweet by Kolbrún Björt Sigfúsdóttir, Brite Theater, Discover 21 Theatre Edinburgh
2014 The Lion, The Witch and The Wardrobe, Brite Theater in collaboration with Midsummer Madness, Thornlea Studios Exeter and North Hill Village Hall
2013 Shakespeare in Hell, a new play placing Shakespeare's villains in Dante's Inferno by Kolbrúnu Björt Sigfúsdóttur and Emily Carding, Brite Theater, Roborough Studios, Northcott Theatre, Exeter Pheonix, The Island Bristol and Etcetera Theatre Camden
2013 Notes on Some Persons, Starting to Crack by Gareth Morgan, 6016 Theatre, The Rusty Bike and Northcott Theatre
2013 An Exeter Love Story by Kolbrún Björt Sigfúsdóttir, EXEplorer, a treasure hunt in Exeter, art direction
2009 Lykillinn að jólunum by Snæbjörn Ragnarsson, Leikfélag Akureyrar, Rýmið
2009 Það dansar enginn við sjálfan sig by the ensemble, Brite Theater, Saltfélagið
2006 Kjöt by Kolbrún Björt Sigfúsdóttir, Brite Theater, O. Johnson og Kaaber
Original Plays and Adaptations:
2023 This Is a Gift, part of the Royal Shakespeare Company's new Folio, 37 Plays
2020 Deliverance, first performed in Edinburgh in participant's homes, produced by Vanishing Point
2019 Kit Kat, first read as part of the Breakfast Plays at the Traverse Theatre (staged reading)
2019 Strangers, first performed at Dundee Rep as part of Rep Stripped (extract), in development.
2018 (Can This Be) Home, first performed at Prague Fringe.
2018 Hamlet (an experience) with Emily Carding after Shakespeare, first performed at Brighton Fringe.
2018 Invisible Friend with Kemono Lebe, One Day to Play, National Theatre of Scotland (short)
2017 Snow ,first performed at Winter Words Festival, In Motion Theatre (short).
2017 Where Exactly, first performed at Tron 100 Festival, Tron Theatre (extract), in development, now called The Birds.
2017 Firesoul Wanted, first performed at DRAFT, In Motion Theatre (extract).
2016 Troubles of the Female Variety, first performed at the Traverse Theatre, Words Words Words (excerpt), part of Playwright's Studio Scotland Mentorship Programme. In development.
2015 Richard III (a one-person show) with Emily Carding after Shakespeare, Brite Theater, first at Prague Fringe.
2013 Chet Baker, Love, first performed at The Bike Shed Theatre, Exeter.
2013 Bitter Sweet, first performed at Rannoch, Exeter.
2013 Shakespeare in Hell, with Emily Carding, first performed at Roborough Studios, Exeter, after Shakespeare's canon and Dante's Inferno
2013 My Only Love Sprung from My Only Hate, first performed at The Rusty Bike, Exeter after Shakespeare's Romeo and Juliet and Hamlet
2010 Aladdin The Musical, performed at Norðurpólinn.
2008 The Seagull, performed at Kassinn, Þjóðleikhúsið.
2006 Kjöt, first performed at O. Johnsson og Kaaber.
Digital works:
2020 Happy Ark Day :) by Andy Edwards, Scenes for Survival, National Theatre of Scotland and BBC, director
2020 Two People, Alone, produced by Brite Theater, writer
Dramaturgy and script editing:
2023 The Hearth by Tom Oakes, Scottish Storytelling Centre.
2023 Between Here and There by Marion Geoffray, Open Space.
2023 Murmurs of Earth by Ella Hallgren, supported by EPAD.
2023 Charlene and the Machines by Sarah Rose Graber.
2022 Bubblebath is not a Rebellion by Ink Asher Hemp, We Are Still Here/We Are Always Here commission, Brite Theater.
2022 (Instructions for a) Ghost Disco by Stella Green, We Are Still Here/We Are Always Here commission, Brite Theater.
2022 Bella and Max by Lubna Kerr, Space at Summerhall.
2021 Tickbox by Lubna Kerr.
2017-2023 Traverse Young Writers.
2019 Perth Young Writers.
2018 ChildMinder and Tulla by Iain McClure, with performances at Manipulate Festival and Scottish Mental Health Arts Festival.
2018 Knots devised by Theatre Sans Accents from R.D. Laing's book, development for Summerhall Scratch, SMHAF Scratch.
2018 Everybody Keeps Broken Pens by Kate Mayne, Tron Outside Eyes.
2014 Frun från havet by Ibsen, assistant to adaptors Egill Palsson and Marc Matthiesen.
2013 Notes on Some Persons Starting to Crack by Gareth Morgan, first performed at The Rusty Bike.
Assistant directing:
2018 Ulster American by David Ireland, directed by Gareth Nichols at the Traverse Theatre, made possible by JMK assistant director award.
2017 A Number by Caryl Churchill, directed by Zinnie Harris at the Royal Lyceum Theatre, made possible by the FST assistant director bursary.
2016 Billy (The Days of Howling) by Fabien Cloutier, directed by Rosie Kellagher, A Play, A Pie and A Pint, Oran Mor og Traverse Theatre.
2014 Frun från havet (The Lady from the Sea) by Ibsen, directed by Egill Heiðar Anton Pálsson, Göteborgs Stadsteater (Gothenburg City Theatre).
2012 The Tragedy of Julius Caesar by Shakespeare, directed by Laura Baggs, Thornlea Studios.
2009 Rústað (Blasted) by Sarah Kane, directed by Kristín Eysteinsdóttir, Borgarleikhúsið (Reykjavík City Theatre).
Directing - development and readings:
2021 Maryland by Lucy Kirkwood, Traverse Theatre (staged reading)
2021 candy by Ryan Hay, Tron Theatre, Glasgow
2021 Schooled by Pauline Lochart, Traverse Theatre
2020 Knots by Theatre Sans Accents, due to tour Scotland but cancelled due to Covid and 2018 Hidden Door Festival (wip)
2016, 2018 and 2019 (Can This Be) Home by Kolbrun Bjort Sigfusdottir and Tom Oakes, Brite Theater, Hothouse at Traverse Theatre (work in progress), Theatre Royal Plymouth (wip), Tron 100 performances Tron Theatre Glasgow (excerpt) and Prague Fringe, Tron Theatre Glasgow and Traverse Theatre.
2020 Rough Mix, Magnetic North
2019 44 Sex Acts in One Week by David Finnigan, Traverse Theatre
2019 I'm Not Here by Rachael O'Connor, Traverse Theatre
2018 Class Act by various, Traverse Theatre
2018 Power Plays by various, Braw Fox stage Theatre Uncut at the Traverse Theatre
2018 Foxgloves by Jonathan Whiteside, Stage to Page February.
2017 and 2016 Tandem, Edinburgh - six short plays by Amy Hawes, Jennifer Adam and Mhairi Quinn (staged reading).
2016 and 2017 The House That Melts With the Rain by Jennifer Adam, Tron Theatre Glasgow (excerpt), Winter Words at the Wee Dram! and The Wee Theatre (staged readings)
2016 Pulse by Julie Tsang, Tron 100 Reading week, Tron Theatre and Winter Words at the Wee Dram! (staged readings) and development at Perth Theatre 2020.
2016 Headland by Michael O'Neill, Stage to Page, Traverse Theatre (excerpt).
2014 Arctic Oil by Clare Duffy, Director´s Cut, Traverse Theatre (excerpt).
2009 Þekking og stúlka (Knowledge and a Girl) by Howard Barker translated by Kolbrún Björt Sigfúsdóttir, 21 for 21 Festival, Listaháskóli Íslands (staged reading).
Directing, short plays, fully staged:
2017 Ours Is Better Than Yours by Mhairi Quinn, Winter Words Festival, In Motion Theatre (short play)
2017 Monday Night by Christopher Deans Tron 100 Festival, Tron Theatre Glasgow (extract)
2015 Chinese Whispers by Jennifer Adam, Collider, Discover 21 Theatre (short play)
2015 Wake Up by Neil Chu Hong, Collider, Discover 21 Theatre (short play)
Directing, community theatre or youth theatre, full length:
2019 Nothing But the Gallows by Ben Blow, Annexe Repertory Theatre, Formation Festival, Assembly Roxy
2018 The Maids by Jean Genet, Annexe Repertory Theatre, Formation Festival, Assembly Roxy
2018 We Got Now by Annexe Repertory Theatre, Formation Festival, Assembly Roxy
2011 Mamma Mia! leikfélag Menntaskólans í Kópavogi (unofficial Icelandic adaptation)
2010 Galdra-Loftur by Jóhann Sigurjónsson, Leikfélag Hveragerðis
2010 Aladdín The Musical adapted by Kolbrún Björt Sigfúsdóttir, Leikfélagið Thalía, Menntaskólinn við Sund in collaboration with Brite Theater, Norðurpóllinn
2008 Hair, the musical, by Rado, Ragni og Mcdermot, Leikfélag Borgarness
Directing, student theatre, full length:
2014 Titus Andronicus by Shakespeare, Brite Theater, Cellar Door Exeter
2013 Measure for Measure by Shakespeare, Shake-in-a-Day, Roborough Studios
2013 Bitter Sweet by Kolbrúnu Björt Sigfúsdóttur, Brite Theater, Rannoch Exeter
2013 Coriolanus, devised and verbatim piece based on Shakespeare's play by Kolbrún Björt Sigfúsdóttir and Gareth Morgan, Brite Theater, Thornlea
2013 My Only Love Sprung from My Only Hate, new piece using Shakespeare's Hamlet and Romeo and Juliet by Kolbrún Björt Sigfúsdóttir, Brite Theater, The Rusty Bike, Exeter
2013 King Lear, devised and deconstructed from Shakespeare´s play, Brite Theater, Exeter Phoenix
2013 The Winter´s Tale by Shakespeare, student production at Shakespeare´s Globe
2012 Marina, a physical theatre piece based on Shakespeare´s Pericles, Thornlea Studios Exeter
2012 Taming of the Shrew by Shakespeare, Shake-in-a-Day, Roborough Studios
2008 The Seagull by Chekov adapted and devised by Kolbrún Björt Sigfúsdóttir and the ensemble, Kassinn, Þjóðleikhúsið (Iceland´s National Theatre)
Script reading and translations:
2018-ongoing Open Submissions/Breakthrough Writers, Traverse Theatre
2021 New Nordics, Cut The Chord Theatre
2018 International Residency submissions, Royal Court Theatre