In the space of just two days, following the horrific murders of Sarah Everard and Sabina Nessa, Lucy Kirkwood (Chimerica, Mosquitoes, The Children) wrote what she has described as a ‘howl’ of a short play about the prevalence and injustice of the culture of violence against women.
Script-in-hand performances of the piece were performed across Edinburgh, united by their desire for as many people as possible to experience this raw and important work, and bring audiences together in a communal sharing of grief, frustration, resistance and hope.
Each production donated all ticket income to a local charity supporting survivors of abuse and violence.
Kolbrún Björt Sigfúsdóttir, director of the Traverse Theatre reading, said:
"Last night my friend walked home from the pub. I tried to convince her to get a taxi but she said she needed the exercise. I thought to myself 'of course you can't trust taxi drivers either'. I held my breath until she texted me she was home safe. This is the reality we live in. This is the cost of being female. The constant fear. The constant threat. The constant risk assessment. The ultimate price has been paid, by Sarah Everard. By Sabina Nessa. By hundreds and thousands and millions of women all over the world. According to the UN report on violence against women about 137 women were killed daily by partners or family members in 2020. Lucy Kirkwood's play, or howl as she describes it, captures the rage, the despair, the sorrow and fear we collectively feel and yells it from the rooftops. Safety is a human right, or it should be. Yet in 2021 we feel fundamentally unsafe. A play won't change that but this event is not just about a play. It's about what culture can bring to the table in educating our sons and uniting our daughters. The violence is not fiction but maybe fiction can help end it. This is a vigil. A protest. A cry for change. It starts small, but we hope it grows and grows.
Script-in-hand performances of the piece were performed across Edinburgh, united by their desire for as many people as possible to experience this raw and important work, and bring audiences together in a communal sharing of grief, frustration, resistance and hope.
Each production donated all ticket income to a local charity supporting survivors of abuse and violence.
Kolbrún Björt Sigfúsdóttir, director of the Traverse Theatre reading, said:
"Last night my friend walked home from the pub. I tried to convince her to get a taxi but she said she needed the exercise. I thought to myself 'of course you can't trust taxi drivers either'. I held my breath until she texted me she was home safe. This is the reality we live in. This is the cost of being female. The constant fear. The constant threat. The constant risk assessment. The ultimate price has been paid, by Sarah Everard. By Sabina Nessa. By hundreds and thousands and millions of women all over the world. According to the UN report on violence against women about 137 women were killed daily by partners or family members in 2020. Lucy Kirkwood's play, or howl as she describes it, captures the rage, the despair, the sorrow and fear we collectively feel and yells it from the rooftops. Safety is a human right, or it should be. Yet in 2021 we feel fundamentally unsafe. A play won't change that but this event is not just about a play. It's about what culture can bring to the table in educating our sons and uniting our daughters. The violence is not fiction but maybe fiction can help end it. This is a vigil. A protest. A cry for change. It starts small, but we hope it grows and grows.
'The real power of the play, though – directed here by Kolbrun Bjort Sigfusdottir – lies in the interweaving of their story with commentary from a six-strong chorus of female Furies, who satirise, warn, and sometimes shriek their horror at the violence women still suffer, day after day. Maryland is a short text, but a vital one, reflecting the rage and sorrow of the past year; and it should be seen again as often is necessary, until we see a change in all the cultures that encourage such attitudes to women, and therefore finally collude in such horrifying acts.' - The Scotsman
DATES
Traverse Theatre, produced by Traverse Theatre Company
Wed 24 Nov at 7PM and Thu 25 Nov at 1 and 7PM
Raising funds for Edinburgh Women’s Aid and Shakti Women’s Aid
Traverse Theatre, produced by Traverse Theatre Company
Wed 24 Nov at 7PM and Thu 25 Nov at 1 and 7PM
Raising funds for Edinburgh Women’s Aid and Shakti Women’s Aid
